Panic-stricken, he rushes off, screaming Follies (Musical) Songs | StageAgent and sleek. However, he thought that it was "wonderful" that, at the end of the first act, "the principal characters recognized their younger selves and were able to acknowledge them throughout the last thirty minutes of the piece. After exiting, Buddy escorts the emotionally devastated[5] Sally back to their hotel with the promise to work things out later. As more guests arrive, Sally's husband, Buddy, enters. She accuses him of having affairs while he is on the road, and he admits he has a steady girlfriend, Margie, in another town, but always returns home. From Porn Stars to Shakespeare: David West Read Has Had a Wild Broadway Arlington, VA, Camp Director at Traveling Players Ensemble Former MGM and onetime Broadway star Betty Garrett, best known to younger audiences for her television work, played Hattie. Ben confides to Sally that his life is empty. [77], New York City Center's Encores! A celebrity panel meet the child of a well-known person, and guess who their parents are. Terry Teachout of the Wall Street Journal noted that "One of the signal achievements of this Follies is that it succeeds in untangling each and every strand of the show's knotty plot Mr. Schaeffer is clearly unafraid of the darkness of Follies, so much so that the first act is bitter enough to sting. a Follies girl. [47] Clines further commented: "In part, the show is a tribute to musical stage history, in which the 57-year-old Mr Sondheim is steeped, for he first learned song writing at the knee of Oscar Hammerstein II and became the acknowledged master songwriter who bridged past musical stage romance into the modern musical era of irony and neurosis. He praised a "broodingly luminous Jan Maxwell" and Burstein's "hapless onetime stage-door Johnny", as well as "the show's final 20 minutes, when we ascend with the main characters into an ironic vaudeville dreamscape of assorted neuroses - the most intoxicating articulation of the musical's 'Loveland' sequence that I've ever seen." Broadway Baby, Learning how to sing and dance, Waiting for that one big chance To be in a show.Oh.Gee.' I'd like to be On some marquee, All twinkling lights, In the foreword to "Everything Was Possible", Frank Rich wrote: "From the start, critics have been divided about Follies, passionately pro or con but rarely on the fence Is it really a great musical, or merely the greatest of all cult musicals?" Marge Champion and Donald Saddler are endearing as the old hoofers. "[113], Walter Kerr wrote in The New York Times about the original production: "Follies is intermissionless and exhausting, an extravaganza that becomes so tedious because its extravaganzas have nothing to do with its pebble of a plot. Sally is bitter, having never been happy with Buddy, although he has always adored her. by Stephen Emily and Theodore Whitman, ex-vaudevillians in their seventies, perform an old routine ("The Rain on the Roof"). wife, kids - and a mistress. I'll see you later blues. Broadway Cast, 2011 (PS Classics, 2 CDs) (4 / 5) The success of the Paper Mill Playhouse production played a sizable role in convincing Broadway that a Follies revival was, in fact, feasible. And then as a teenager, I started singing soprano and I went, well, I can sing soprano. [32] Rich later wrote that audiences at the original production were baffled and restless. The Who. The cast starred Julia McKenzie (Sally), Donna McKechnie (Phyllis), Denis Quilley (Ben) and Ron Moody (Buddy). and matronly starlets, veterans of a more innocent age of entertainment, is a 1917 American silent comedy film directed by Clarence G. Badger and starring Gloria Swanson. Stephen Sondheim | "Broadway Baby" - The New York Times The production starred Bob Gunton (Ben), Warren Berlinger (Dimitri Weismann), Patty Duke (Phyllis), Vikki Carr (Sally), Harry Groener (Buddy), Carole Cook (Hattie), Carol Lawrence (Vanessa), Ken Page (Roscoe), Liz Torres (Stella), Amanda McBroom (Solange), Grover Dale (Vincent), Donna McKechnie (Carlotta), Carole Swarbrick (Christine), Stella Stevens (Dee Dee), Mary Jo Catlett (Emily), Justine Johnston (Heidi), Jean Louisa Kelly (Young Sally), Austin Miller (Young Buddy), Tia Riebling (Young Phyllis), Kevin Earley (Young Ben), Abby Feldman (Young Stella), Barbara Chiofalo (Young Heidi), Trevor Brackney (Young Vincent), Melissa Driscoll (Young Vanessa), Stephen Reed (Kevin), and Billy Barnes (Theodore). [43], Critics who had seen the production in New York (such as Frank Rich) found it substantially more "upbeat" and lacking in the atmosphere it had originally possessed. [52] The 1998 Paper Mill Playhouse production (Millburn, New Jersey) was directed by Robert Johanson with choreography by Jerry Mitchell and starred Donna McKechnie (Sally), Dee Hoty (Phyllis), Laurence Guittard (Ben), Tony Roberts (Buddy), Kaye Ballard (Hattie ), Eddie Bracken (Weismann), and Ann Miller (Carlotta). "Waiting for the Girls Upstairs" - Ben, Sally, Phyllis and Buddy, Young Ben, Young Sally, Young Phyllis and Young Buddy. is by now wondering Could I Leave You and live without Ben, Vance, David. (Soundbite of song, "Broadway Baby") SIMON: Stephen Sondheim wrote "Broadway Baby" in the early 1970s for "Follies," the award-winning musical he created with James Goldman. Buddy then appears, dressed in "plaid baggy pants, garish jacket, and a shiny derby hat", and performs a high-energy vaudeville routine depicting how he is caught between his love for Sally and Margie's love for him[4] ("The God-Why-Don't-You-Love-Me Blues"). Cast. THEODORE WHITMAN - Emily's husband. glad they came. [125][126], In January 2015, it was reported that Rob Marshall signed on to direct, with Meryl Streep rumored to star. in a revised version, 21 July 1987 with Diana Rigg, Daniel Massey, James Goldman Follies Belongs on Broadway; Rosemary Clooney's Finale at - Observer "[35] "One More Kiss" was omitted from the final release but was restored for CD release. (Chapin, p. xi) Ted Chapin wrote, "Taken as a whole, the collection of reviews Follies received was as rangy as possible." "[30] Prince planned to present the musical on the West Coast and then on a national tour. They pass through the spectral showgirls without seeing them. Follies had its pre-Broadway tryout at the Colonial Theatre, Boston, from February 20 through March 20, 1971.[28][29]. [43] During the run, Eartha Kitt replaced Gray, sparking somewhat of a comeback (she went on to perform her own one-woman show at The Shaftesbury Theatre to sell-out houses for three weeks from March 18, 1989, after Follies closed). If you don't Each of the four is shaken at the realization of how life has changed them. The London production had new songs and dialogue. Yesterday, though, tells another story: young Sally and young Oh, you do? "[87] This recording includes "extended segments of the show's dialogue". And even when I saw it, I think it was about 2000 there was a revival, maybe 2001. During one night of romance and regret, two crumbling thirty-year-long marriages are put to the test. I am happy to report that since then, Ms Peters has connected with her inner frump, Mr. Raines has found the brittle skeleton within his solid flesh, and Ms. Maxwell and Mr. Burstein have only improved. The clarion-voiced Philip Quast has three Olivier Awards to his name and is bound to be considered for a fourth in due course for his soul-stirring performance as Ben Stone in the National Theatre . Finally, Weismann enters to greet his guests. On the drab stage Not only has it already outsold every other album at our website, but the steady stream of emails from customers has been amazing. I'm Scott Simon. Laurence Olivier Award for Musical of the Year, Drama Desk Award for Outstanding Revival of a Musical, Laurence Olivier Award for Best Musical Revival, Best Performance by a Leading Actress in a Musical, Best Performance by a Featured Actor in a Musical, Outstanding Featured Actress in a Musical, Best Performance by a Featured Actress in a Musical, Best Performance by a Leading Actor in a Musical, Best Actress in a Supporting Role in a Musical, "Bernadette Peters on 'Follies' and Puppies", "Faculty, Theatre Arts, California State University, Long Beach", "Song list and acts, 2005 Barrington Stage", "2001 Broadway revival song list and acts", "By the Book: Broadway Revival of 'Follies' Performed Without Intermission Aug. 23", "Kennedy Center 'Follies' Steps onto Broadway", "Abstract-'Follies' musical opens at Colonial", "Stage View; Sondheim's 'Follies' Evokes Old Broadway", "Loss of Shubert Alters Face of L.A. Theater", "Follies at the Forum Theatre, Wythenshawe, partial listing", "Concert Performances of Sondheim's Follies Win Sydney Raves", "Roundabout's Revival of Follies Starts Previews at Belasco, March 8", "Peters Withdraws from London Follies; Casting Almost Complete", "What Follies! Sondheim Guide / Follies (Recordings) Ms. PETERS: You know, when I was a little girl, they said I had a funny voice because I actually had a deep voice and that's because my mother didn't speak correctly. (Chapin, p.300) In his The New York Times review of the original Broadway production, Clive Barnes wrote: "it is stylish, innovative, it has some of the best lyrics I have ever encountered, and above all it is a serious attempt to deal with the musical form." "[15] Some of the Follies numbers imitate the style of particular composers of the early 20th century: "Losing My Mind" is in the style of a George Gershwin ballad "The Man I Love". "[11], Joanne Gordon, author and chair and artistic director, Theatre, at California State University, Long Beach,[12][13] wrote "Follies is in part an affectionate look at the American musical theatre between the two World Wars and provides Sondheim with an opportunity to use the traditional conventions of the genre to reveal the hollowness and falsity of his characters' dreams and illusions. Lastly Ben takes the stage Ms. PETERS: But he is like an actor, but with notes and words. When they sing, in voices layered with ambivalence and anger and longing, it is clear that it is their past selves whom they are serenading. A Broadway revival opened at the Belasco Theatre on April 5, 2001, and closed on July 14, 2001, after 117 performances and 32 previews. The net result was four new songs For reasons which I've forgotten, I rewrote "Loveland" for the London production. SOLANGE LAFITTE - A Broadway Parisienne. Although many of the album's most enduring highlights capitalize on the unhinged genius of drummer Keith Moon ("Won't Get Fooled Again," "Baba O'Riley"), the gorgeous ballads . Sally tells Ben how her days have been spent with Buddy, trying to convince him (and herself) ("In Buddy's Eyes"). Ben becomes frenzied, while the dancing ensemble continues as if nothing was wrong. hours after the show Waiting for the Girls Upstairs in with Live, Love, Laugh, singing of how clever and adept Portions of the concert were seen by audiences worldwide in the televised documentary about the making of the concert, also released on videotape and DVD, of 'Follies' in Concert. [91] Out of seven Tony Award nominations, including Best Revival of a Musical, it won only one, for Barnes' costumes. Follies (New Broadway Cast Recording) - Apple Music He creates what's necessary for the piece. Sign up today to unlock amazing theatre resources and opportunities. his mind, all the past evening's traumatic experiences are regurgitated despite the routine of married life. Follies By Rick Pender Follies original poster Follies, Sondheim's seventh Broadway production, began as The Girls Upstairs, a collaboration with bookwriter James Goldman about some young women in a Ziegfeld-like extravaganza and the stage-boy Johnnies who courted them. At the height of the confrontation the orchestra suddenly swells Chapin relates that "there was one song that Dick Jones [producer of the cast album] didn't want to include on the album but which Steve Sondheim most definitely did. For Sally and [64] It was significantly stripped down (earlier productions had featured extravagant sets and costumes) and was not a success critically. Ben yells at his younger self for not appreciating all the work that Phyllis did. New York, NY, SM for Poor Yella Rednecks YOUNG HEIDI - The celebrated soprano in her heyday. Di Botcher sits at her former dressing room table and sings Broadway Baby. Who's Next (Bonus Track Version) by The Who on Apple Music YOUNG BUDDY - The eager young beau of a Follies chorine. CAPITOL S0761 - Original Cast The show and the score have a double vision: simultaneously squinting at the messes people make of their lives and wide-eyed at the lingering grace and lift of the music they want to hear. '"[10] Martin Gottfried wrote: "The concept behind Follies is theatre nostalgia, representing the rose-colored glasses through which we face the fact of age the show is conceived in ghostliness. Stephen Sondheim attended one of the performances. Yet he and Warren Carlyle just as clearly revel in the richness of the knowing pastiche songs with which Mr. Sondheim evokes the popular music of the prerock era. Osborne, Robert. It was directed by Prince and starred Dorothy Collins (Sally; replaced by Janet Blair), Alexis Smith (Phyllis), John McMartin (Ben; replaced by Edward Winter), Gene Nelson (Buddy), and Yvonne De Carlo (Carlotta) reprising their original roles. a musical in one act. Join the StageAgent community Buddy and Ben, the theatre seems haunted by their younger selves, [43], The book "was extensively reworked by James Goldman, with Sondheim's cooperation and also given an intermission." The concert starred Barbara Cook (Sally), George Hearn (Ben), Mandy Patinkin (Buddy), and Lee Remick (Phyllis), and featured Carol Burnett (Carlotta), Betty Comden (Emily), Adolph Green (Theodore), Liliane Montevecchi (Solange LaFitte), Elaine Stritch (Hattie Walker), Phyllis Newman (Stella Deems), Jim Walton (Young Buddy), Howard McGillin (Young Ben), Liz Callaway (Young Sally), Daisy Prince (Young Phyllis), Andre Gregory (Dmitri), Arthur Rubin (Roscoe), and Licia Albanese (Heidi Schiller). It's so hard to put into words. Julia McKenzie and David Healy. Tysons, VA, Accessibility Statement Terms Privacy |StageAgent 2020. "[114] On the other hand, Martin Gottfried wrote: "Follies is truly awesome and, if it is not consistently good, it is always great. Carlotta amuses a throng of admirers with a tale of how her dramatic solo was cut from the Follies because the audience found it humorous, transforming it as she sings it into an anthem-like toast to her own hard-won survival ("I'm Still Here"). Ben, goaded, starts to argue with Phyllis, "), and Hattie Walker performs her old showstopping number ("Broadway Baby"). [19][81] The production played to 95% capacity. The budget was reported to be $7.3 million. SIMON: Is there a role you wish you could do over or do again? Once the party gets under way it isn't long before the regulars That, if I'm good enough for you, you're not good enough SIMON: When did the relationship with Stephen Sondheim begin - looking back on it? Ms. PETERS: Wow. "[34] Chapin confirms this: "Alas final word came from Capitol that they would not go for two records [Dick Jones] now had to propose cuts throughout the score in consultation with Steve. And I usually do things that are different and a challenge and interesting to me to approach. YOUNG SALLY - A Follies chorine, 20 years old in 1940, and caught [118], The Time reviewer wrote of the 2001 Broadway revival: "Even in its more modest incarnation, Follies has, no question, the best score on Broadway." Ms. PETERS: As a little girl, yeah. [102] This production notably goes back to the original plan of a one-act performance.
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